James Malcolm Rymer’s Varney the Vampire has been described as the worst book of the 19th century. Introduced in 1845, the completed serial consists of over 600,000 words of tedious dialog, aimlessly meandering storylines, maddening repetition, and enough kernels of genius to consistently inspire horror fiction into the present day. Bram Stoker, Anne Rice, Stephen King, Russell T. Davies and Freidrich Wilhelm Murnau are just some of the writers and filmmakers who have been indebted to concepts originated in the pages of Varney, making it easily the most influential vampire story that nobody reads.
The first full-length work of vampire fiction, Varney appeared in the penny press some 36 years after the original short story sketches by Lord Byron and John William Polidori, and decades before J. Sheridan Le Fanu’s Carmilla (1872) and Bram Stoker’s Dracula (1897). It can thus be conceived of as a transitional work, expanding upon some of the ideas of its predecessors while introducing many familiar tropes that were soon be canonized into the genre, but along the way it also explored themes that were way ahead of their time.